Now in its third year, the Bruford at Summerhall programme has grown in scale and ambition.
An opportunity to have some time and space for yourself and to prepare, recoup your energy and maximise your time at the Fringe meeting and working with other artists. Workshop leaders will include Gabriel Gawin, Niamh Dowling, Magda Koza, Company of Wolves, Bertrand Lesca and Nasi Voutsas and others.
'A striking dream world... one of the most ambitious pieces we have ever presented' (Anna Woo, The Getty Villa). California’s marijuana country: the still-Wild West. Annie conducts a forensic exploration of 'the facts' about her outlaw weed farmer brother as this genre-bending work slips into disputed territory: childhood memories.
A Belgian popstar moves to London to steal the job of British popstars. Luckily, austerity is there to stop her. A witty pop-opera about a girl called Nele who turns her life into a big international mess because she wants to be famous on the other side of the English Channel.
“The children grabbed him (the father) and put him on the table. And he became the food. They took him apart, dismembered him. Ate him up. And so he was liquidated... the same way he liquidated his children.”
Louise Bourgeois, The Destruction of The Father (1974)
Fusing storytelling, movement and song, Achilles is the epic story of a man's exorcism: a burning out of his grief, his rage and his humanity.
The Last One is brutal physical theatre created by Gema Galiana and Anthony Nikolchev. Evoked by the song of the last Kauai O’o bird, waiting for a response that will never come to its call for a mate.
Made in the UK and Georgia, Ur Medëa confronts our world of infinite choices, and moral relativism, with the consequences of remote clandestine wars and the distant awakening of a brutality that finds its way home back into our dreams of family.
Winner of the Best International Performance Award at the 2017 Amsterdam Fringe and hit of the 2018 Brighton Fringe. Performer and playwright Bastiaan Vandendriessche’s gripping new play invites his audience to step into a darkly woven and deceptive story about his time as a leader of the Seascouts in Ghent six years ago.
Follow Doaa who dreams of a better life amongst a backdrop of war, terror and enduring love. The boy from the local garden centre, whose tranquil existence amongst the flowers is torn apart. A mother who cannot keep her children safe.
Following two critically-acclaimed sell-out runs, the National Youth Theatre present the Edinburgh debut of Mohsin Hamid’s Man Booker Prize shortlisted novel The Reluctant Fundamentalist adapted for stage by Stephanie Street and directed by Prasanna Puwanarajah.
Award winning Irish company Sunday's Child’s previous productions include Overshadowed, winner of the Fishamble Award for Best New Writing, recently adapted for television with Rollem productions for BBC Three.
Meet Davy. The things he sees. His streets. His mates. His girl and... The Boys. With pumping techno, pulverising movement and street sharp poetry, East Belfast Boy is a cliché-free zone.
Part open rehearsal, part durational performance, the final piece in this loose trilogy of work looks at the left through the prism of the right, considering the polarization of political debate and the rise of populism across nations; amid the ruins of unresolved conflict, Bert and Nasi explore whether we can still come together on common ground, however unsteady.